One of the pieces of my Monster Squad collection that I love the most is a copy of the script that Fred Dekker and Shane Black wrote back in 1986. I love digging into novelizations and scripts to see what differences there were between the initial idea and the final films, and since MS never had a novelization (a crime!), the script is the best source for variation and deleted scenes. The copy I have is dated July 30th, ’86 and is marked as the third draft…
From what I have pieced together via old Fangoria interviews, commentaries and DVD featurettes, the initial idea Dekker had was to pit the Little Rascals versus the Universal Monsters a la Abbott & Costello Meet Frankenstein. When he came up with the idea he was hip deep working on both Night of the Creeps and writing a script that would eventually become If Looks Could Kill, so even though he had studio interest in the concept, he took the ideas he’d written and handed them off to his college buddy Shane Black to take a stab at writing the script…
Black had been bombing out in his attempts to start his acting career, and he’s just sold a script about a phantom platoon in Vietnam, so he thought, what the hell and decided to sit down and write The Monster Squad. As an exercise he decided to write the script in the same voice and style as Dekker who had a unique outlook on scriptwriting that is very unconventional in the industry…
Basically Dekker liked to address “the audience” and producers in his scripts, including a ton of asides that not only describe the tone and setting, but give back-story and also predict the way people should react to the scenes. So reading a Dekker script is anything but dry! Here’s some examples of how he would do that..
I love how the duo describe EJ & Derek as kids who will grow up, get ugly and sell shitty used cars, or the way they invoke the popcorn munching excitement of the finale…
Anyway, Black’s first draft of the script was apparently amazingly ambitious where he threw in everything he and Dekker would want to see in an Our Gang Vs. Monsters movie regardless of the potential budget to bring these ideas to fruition. So for instance, in the opening of the movie when Van Helsing comes to vanquish Dracula he’s sailing in on zeppelins with an army of torch wielding villagers assaulting the castle. I’d love to get my hands on a copy of that original draft. The two then compared notes and then Dekker took a another pass at editing down and tightening the script and eventually the two agreed on the draft that I was able to procure.
At the end of the day what ended up in this third draft is very much what ends up on film, though there are a handful of deleted and alternate scenes that are pretty darn cool. Today I want to focus on some of the alternate versions of scenes and I’ll come back tomorrow and share a bunch of the cool deleted segments. So, in terms of alternate, I guess what I’m getting at is that some scenes played slightly different from script to film and were either slightly more intense or there were characters that end up slightly different from page to screen. For instance, Eugene was envisioned as a much more timid character, one that has “no business” being in a monster club as we see in the descriptive text from this deleted scene (alright, I’m including one deleted scene, but not because it’s particularly riveting as a scene, it’s the descriptive stuff about Eugene that stuck out to me…)
So, as Sean alludes in the final film, the rest of the Squad ends up actually going to see Groundhog Day Part 12 at the drive-in and we get this short jokey bit with the kids in Eugene’s father’s car. He’s described as wearing cutesy Pooh Bear PJs and is scared to death, which is not how he ultimately ends up coming across in the final film. From the Bedroom breakdown I did we can fully see that he’s a fan of some violent comic book characters (Dreadstar, the Punisher and Wolverine), and instead of Pooh Bear he prefers Robotech PJs. Not only that but nothing really seems to phase the kid outside of an actual monster hanging out in his closet or all hell breaking loose in the final sequence. I love how he dead pans to Sean that the “Creature stole my Twinkie…” or that “Mummy came in my house…” The Eugene described in the script would have tendered his resignation to the club as soon as the Mummy shuffled out of his window that night…
Another deviation from script to screen was the whole naked photo of Patrick’s sister business. In the film, aside from Rudy ogling her through a camera set up in the clubhouse, the whole thing plays off as a perfect coincidence as Frankenstein’s Monster accidentally snaps a photo of her undressing that Rudy later has processed and they use it to eventually blackmail her into being their virginal-incantation-reader for the final showdown. In the script there is no accident about acquiring that photo. In fact, it’s all part of the plan…
This stuff plays way more into the Our Gang origins of the Squad as they try their damnedest to get a photo of Patrick’s sister naked…
It’s eventually Horace that snaps the picture as the rest of the gang has to literally drag a horny monster away from Patrick’s house!
There are also a lot of sequences in the script that are way more intense than they would eventually end up in the finished film, particularly during the final fight in the town square. For instance, in the bit where Horace faces off against the Gillman, in the final film he gets trapped between the monster and the locked door of the town magazine shop (where EJ & Derek are hiding.) Horace of course realizes he can’t run and blows the creature away. But in the script this plays out a bit different as he uses the shotgun to first decimate the glass door of the shop in one last ditch effort to get away, and also to take his anger out on the bullies…
I get why this was toned down, I mean the idea of one kid holding a shotgun on another is a little crazy, but man would I have loved to see EJ pee his pants…
A lot of the sequences involving Dracula in that final fight play out more intensely too, including the face-off between him and the Monster…
This sequence not only has Dracula hit so hard that he flies up and impales himself on a large cross (instead of an iron fence spear), but it also reveals that the Monster was more mortally wounded (is that possible?) in the old house explosion. It describes him as having his face caved in! Ouch! Bo-gus, indeed.
Lastly today I wanted to point to just how brutal the final fight between Sean and Dracula was scripted…
I mean holy crap! That is a fight.
Tomorrow I’ll be back with a look at a bunch of deleted scenes from the script, but until then, here’s today’s trading card!
Today’s card is #7, Frankenstein’s Monster!
